Example:
FADE IN ON:
BEDROOM BALCONY
Slowly migrating towards us…
Its doors are open. WE see that inside is typical-- a bed, dresser and vanity.
From inside. The sound of CLASSICAL PROGRESSION whispers dimly.
INT. ROYAL SUITE (BEDROOM) -- NIGHT
As WE progress, following the music, WE catch glimpse of a silenced 45 caliber handgun and a kill-wire, lying on the mattress…
On the doorknob of an open bathroom door hangs a black cocktail dress: wet, scuffed, and torn…
The volume of the classical music (identified as “Frederick Chopin Nocturne” in C-Sharp Minor) heightens as WE pursue the bathroom…
INT. BATHROOM
It’s coming from an I-pod speaker adapter on the counter. In the sink: WE can’t help but notice the bloody cloth and surgeon scissors.
WE divert our attention to a naked WOMAN, an assassin, lying in a tub of cold water. Injured but alive. Age is unknown.
She possesses a few scraps and scars on her body, a fresh stitch on her left thigh, and a cigarette glued in her right hand. Her eyes are vacant. You could almost mistake her for a manikin.
She then brings the cigarette up to her lips-- her movement too sudden. As if a dead woman comes to life…
-------------------------------------------------------------------------------------------------------------
At the beginning of a script, It is essential that you try your best to lure-in the audience, no matter what the occasion. This is because the first pages of a manuscript will tell an agent, or director if it's worth reading further. As you observed from the EXAMPLE above, the MAIN character was introduced rather intricately: You get a sense of the character. That's what you want to do. You want to create an attachment between the main character, and the audience.
Feel free to ask questions.
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Friday, May 20, 2011
HOW TO OPEN IN A SCREENPLAY
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fade in,
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